![]() Rhode Island native child and creator of the Muse Structure, Juan Wilson is hosting a main event while bringing awareness to the concern. This gesture by the Capital City of Providence was the very first city in New England to do so. The Ocean State started acknowledging Black Philanthropy Month in August of in 2015 when Mayor Jorge Elorza signed the pronouncement acknowledging August as Black Philanthropy Month on Emancipation Day of 2021. Black Philanthropy Month was developed in 2011. Barry and Jane Murphy, Kristin and Will Price, Bob and Nancy Schwan, and Sue and Kurt Watson are additional exhibition patrons.Ģ022 exhibitions and public programs are generously supported by the Downing Foundation.Īll museum exhibitions receive generous sponsorship from the Friends of the Wichita Art Museum and the City of Wichita.August is Black Philanthropy Month (BPM), Developed in 2011, BPM is a worldwide event and collective project to raise African-descent offering and moneying equity. Alan and Sharon Fearey, Toni and Bud Gates, Patricia Gorham and Jeff Kennedy, Harold and Evelyn Gregg, Sonia Greteman and Chris Brunner, Anita Jones and Richard Hite †, Delmar and Mary Klocke, Errol and Suzanne Luginbill, Dr. Phillips Exhibition Fund, Sue and Fred Berry, Dr. Guy Glidden, Sondra Langel, and Mary Sue Smith. Generous support has been provided by The Trust Company of Kansas, Dr. Eric Engstrom and Robert Bell and Sarah T. Baker, David and Rynthia Mitchell, and Jan and Steve Randle provided additional major underwriting. Judy Slawson Exhibition Fund and DeVore Foundation are lead sponsors. The Wichita presentation has been generously underwritten by presenting sponsor Lattner Family Foundation. Wooden Lecture will be recorded and posted to WAM YouTube Channel: /wichitaartmuseum.Īmerican Art Deco: Designing for the People, 1918-1939 is organized by The Nelson-Atkins Museum of Art, Kansas City, Missouri, and Joslyn Art Museum, Omaha, Nebraska. If you are unable to attend in person, the Howard E. Exploring the collaboration between Douglas and Johnson, Ater argues that the artist and the author created a vibrant Christian iconography from a uniquely Black perspective. After creating the illustrations for Johnson, Douglas returned to the imagery from God’s Trombones in several of his most important oil paintings, including Noah’s Ark. This presentation considers Aaron Douglas’ painting Noah’s Ark in the context of Johnson’s God’s Trombones: Seven Negro Sermons in Verse, his 1927 book of poems based on folk sermons. Douglas illustrated poetry by James Weldon Johnson in 1927. Ater will provide a deeper look at Douglas’ 1935 painting Noah’s Ark, which is on view at WAM in the exhibition American Art Deco: Designing for the People, 1918–1939. Douglas’ signature style combines African and African American stories with modernist geometry to create artworks that explore the African American experience.ĭr. ![]() Renée Ater, Provost Visiting Associate Professor, Africana Studies, Brown University, as she explores the paintings of Kansas native Aaron Douglas (1899–1979).Ī Topeka native, Douglas–one of our state’s most important artists–became a leading painter of the Harlem Renaissance as Black art and culture flourished in New York during the 1920s. The Spring 2022 Howard E Wooden Lecture, sponsored by the Friends of the Wichita Art Museum, welcomes art historian and public scholar Dr.
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